Who is Who in Central & East Europe 1933

 


Home, Overview, The Arts, Music

 

String players


Jenö Antal, Budapest ->
gave concerts and recitals in Paris in 1925 and since 1926 he is a member of the Roth Quartet (second violin).

Dragutin Arany, Zagreb ->
In reverence to Oscar Nedbal, he is playing for years on the alto-viola used by him, which was dedicated to him by Nedbal's widow.

Ervina Brokes, Prague ->
She gave her first concert in Prague under the protectorate of Lady Clerk, the wife of the English Ambassador in Prague at that time. She belongs to the best known Czech violin virtuosos.

Platon Soterios Drakoules, Oxford, N.W. and Athens ->
is a writer and sociologist and is the founder of the Socialist Labour movement in Greece. His recreations: violin and chess.

Georges Georgesco, Bucharest and Sinaia ->
His first appearance as violincellist was in Berlin from 1910 to 1912. The two fingers of his left hand were paralyzed. He became a conductor and his first appearance was also in Berlin after the War, then in Bucharest, where according to his intentions the Philharmonic Society was organized. He is conducting all the great orchestras of the world: Vienna, Berlin, 4 orchestras in Paris, Rome, Monte Carlo, Barcelona, Oslo, Stockholm, Warsaw, Athens, Prague, New York, Washington.

Jenö Hubay de Szalatna, Budapest ->
After completed his studies in Berlin, he came back to Budapest he undertook friendly connections with Franz Liszt, who liked to play together with him. Together with David Popper, a famous violincellist, who worked on the Royal High Music Academy, he founded the stringquartette Hubay-Popper. He very much liked and appreciated many of the newest compositions of Johannes Brahms and even before they were printed they have been offered by the composer to this quartet for the first performance. More than 100 of his songs, especially his "csárdás" are as popular as the works of Liszt.

Bronislaw Huberman, Vienna ->
In September 1892 he performed at the Viennese International Exhibition for Music followed by a concert before the Emperor Francis Joseph. In the following years he gave concerts in Europe and America (in 1925 in Vienna he gave 12 concerts) and in 1896 he performed his first interpretation of the Brahms Concerto in the presence of Brahms himself and many other musical authorities in the Hall. Brahms was so delighted with his interpretation that he took the boy and kissed him with tears in his eyes. About 1900 there was an interruption for other education purposes. In 1908 Huberman played on the violin of Paganini in Genoa, an honor which was manifested in a fine golden medal handed to him by the Mayor of Genoa.

Hedi Katz-Korngold, Englewood, New York ->
Her debut was in Vienna in 1904. She was first violinist of the Hague Symphony and is now Director of the Music School of Henry Street Settlement, New York.

Rezsö Kemény, Budapest ->
His first public appearance was before King Francis Joseph in Budapest at the age of 14. He has given concert tours to all capitals of Europe.

Jan M. Lasdin, Brussels ->
was the first solo-violonist with the Imperial Court Orchestra in St. Petersburg from 1902 to 1917. He is now Envoyé extraordinary and Minister Plenipotentiary of Latvia in Belgium and Luxembourg.

Bogdan Milankovich, Sarajevo ->
is professor at the Lyceum in Sarajevo since 1910; Director of the Musical School in Sarajevo since 1922; and is president of the Sarajevo Philharmonic since 1923. He discovered in 1932 the acoustic laws of the construction of the violin and since that time constructs violins.

Juro Tkalcic, Belgrade ->
began to study violoncello with 9 years but had to stop studies on account of the death of his teacher, Professor Oertl. In accomplishing his classic studies, he remained faithful to his musical vocation and when he graduated, he obtained from his father the authorization to come to Vienna to study under Professor F. Hellmesberger and R. Dittrich violoncello and harmony at the conservatory. After 3 years of excellent studies he had to leave the conservatory as his father could no longer afford to pay it. The young artist went to Paris where he studied violoncello with M.M.Loeb, Abiatte, F.Touche and counterpoint with R.Lavotta and Louis Dumas. He accepted a position as violoncello-solo player with a symphony orchestra. He gives now recitals in Paris and in the provincial towns.